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Issue |
Title |
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Vol 7, No 2 (2018) |
VERBAL HUMOR IN THE MOVIE EPEN CUPEN (No Tipu Tipu) AND ITS ENGLISH SUBTITLE TEXT |
Abstract
PDF
|
Dieuwertje Hulda S Kapitarauw |
|
Vol 7, No 5 (2018) |
VERBAL PARALLELISM IN THE MODERN TEXT OF SHAKESPEARE’S ROMEO AND JULIET |
Abstract
PDF
|
Novita Andini |
|
Vol 7, No 4 (2018) |
VOLDEMORT’S ANXIETY AND DEFENSE MECHANISM IN ROWLING’S HARRY POTTER AND THE HALF-BLOOD PRINCE AND HARRY POTTER AND THE DEATHLY HALLOWS: A PSYCHOANALYSIS STUDY |
Abstract
PDF
|
Brigitta Arsilia Wibiana |
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Vol 6, No 7 (2017) |
WARFARE UTTERANCES AMONG THE CHARACTERS IN GLEE SEASON 4 TV SERIES: A PSYCHOPRAGMATIC ANALYSIS |
Abstract
PDF
|
Muhammad Reza Hendrajaya |
|
Vol 7, No 5 (2018) |
WESTERN STEREOTYPING OF ABORIGINAL PEOPLE IN MORGAN’S MUTANT MESSAGE DOWN UNDER: AN ORIENTALISM ANALYSIS |
Abstract
PDF
|
Dwi Sri Wahyu A |
|
Vol 4, No 1 (2015) |
WOMEN’S ATTITUDES TOWARDS GENDER DISCRIMINATION IN KHALED HOSSEINI’S A THOUSAND SPLENDID SUNS |
Abstract
PDF
|
Nurul Istikomah |
|
Vol 7, No 3 (2018) |
WOMEN’S LANGUAGE IN BLACK SWAN MOVIE: A SOCIOLINGUISTIC STUDY |
Abstract
PDF
|
Vany Rimbi Widyawati |
|
Vol 6, No 1 (2017) |
WOMEN’S LANGUAGE IN SENSE AND SENSIBILITY BBC MINISERIES: A SOCIOLINGUISTIC STUDY |
Abstract
PDF
|
Maissarah Aryana Rubbyanti |
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Vol 6, No 1 (2017) |
WOMEN’S LANGUAGE IN TANGLED MOVIE: A SOCIOLINGUISTIC STUDY |
Abstract
PDF
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Assari Wulan Safitri |
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